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Josh Hartnett's most charming performance in a film that deserved a better critical reception
Released in 2002 on the heels of Black Hawk Down, 40 Days and 40 Nights was positioned as a light romantic comedy about a man who gives up sex for Lent. Critics mostly dismissed it. Audiences liked it more than they were supposed to. And Hartnett, doing something genuinely difficult — carrying a sex comedy on pure charm and comic timing — was quietly excellent in it.
What made the film work was Hartnett's total commitment to making Matt Sullivan feel real. He does not wink at the camera or play the premise for cheap laughs. He gives the character genuine anxious energy and finds real warmth in the romance with Shannyn Sossamon. The result is a performance more engaging than the film often allows, demonstrating a comic facility he rarely got to deploy in this period.
40 Days and 40 Nights is very much a film of its time, and some of its humor has aged awkwardly. But Hartnett navigates all of it with a lightness that keeps the film watchable even when it stumbles. He was twenty-three years old, already one of the most recognizable young actors in the world, trying something genuinely different from his dramatic reputation.
Looking back from 2026, 40 Days and 40 Nights is a reminder that Hartnett's range was always wider than the industry chose to use. His comic instincts are sharp and natural. The film stands as an underappreciated footnote in one of the most interesting careers of his generation.
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